ALESSANDRO SCARLATTI STABAT MATER PDF

Alessandro Scarlatti — was born in Palermo, Italy. He was one of the first exponents of the Neapolitan School See also Salvatori. He composed over cantatas, oratories and operas. The Order was very poor, what may be the explanation for the small number of artists the score was written for. Many years later, probably in , the same Order commissioned Pergolesi for a new Stabat Mater. The work is divided into four sections and the music is varied in form, going from simple recitatives to more developed operatic arias where the text is repeated three times, ultimately ending with a great fugue on the final "Amen".

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Alessandro Scarlatti — was born in Palermo, Italy. He was one of the first exponents of the Neapolitan School See also Salvatori. He composed over cantatas, oratories and operas. The Order was very poor, what may be the explanation for the small number of artists the score was written for. Many years later, probably in , the same Order commissioned Pergolesi for a new Stabat Mater. The work is divided into four sections and the music is varied in form, going from simple recitatives to more developed operatic arias where the text is repeated three times, ultimately ending with a great fugue on the final "Amen".

The "Analecta"-version of the text is sung, but surprisingly Scarlatti changes around the stanzas 10 and 11, and also the stanzas 13 and Only one other change: - Stanza 16, line 2: not "Passionis eius sortem" but "Passionis fac consortem". At that time he had around 40 Stabat Mater CDs. His notes on the composer, the music, the texts and translations and the different versions all came online.

After this he managed the site by adding new composers and translations regularly. At the time of his death in he had Stabat Maters. After his death I continued collecting the information and managing the site. I wish to thank the Dutch Stabat Mater Foundation which gave me the financial support in to renew this site!

Textual variations : The "Analecta"-version of the text is sung, but surprisingly Scarlatti changes around the stanzas 10 and 11, and also the stanzas 13 and

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Stabat Mater (Scarlatti, Alessandro)

As the son of a musical and domineering father Alessandro Scarlatti , he was destined for a career in music from his birth. In he was appointed organist and composer of the vice-regal court in Naples and, after a failed attempt to gain employment with the Medici family in Florence the following year, he returned to Naples to write opera. In he took part in a 'musical duel' with Handel and was voted the better harpsichord player although Handel received the prize for the best organist. Although Scarlatti had provided music for both sacred and secular employers, he was unable to free himself from his father until he obtained legal independence in When Maria Barbara married the Spanish crown prince in , Scarlatti followed her to Seville and thence to Madrid, where he spent the rest of his life. As well as these masterpieces, Scarlatti also produced a considerable quantity of operas, secular cantatas and church music.

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Stabat Mater (Scarlatti)

Stabat Mater Scarlatti, Alessandro Genre Categories Stabat Mater ; Religious works ; Masses ; Sequences ; For 2 voices, strings, continuo ; For voices with strings ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring string ensemble ; Scores with basso continuo ; Latin language. Naxos Javascript not enabled. Work Title Stabat mater Alt ernative. Categories : Manuscripts from the s Manuscripts Scores Scarlatti, Alessandro Baroque style Baroque Stabat Mater Religious works Masses Sequences For 2 voices, strings, continuo For voices with strings Scores featuring the voice Scores featuring the soprano voice Scores featuring the alto voice Scores featuring string ensemble Scores with basso continuo Latin language Pages with commercial recordings Pages with commercial recordings Naxos collection Pages with commercial recordings BnF collection. Stabat Mater ; Religious works ; Masses ; Sequences ; For 2 voices, strings, continuo ; For voices with strings ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring string ensemble ; Scores with basso continuo ; Latin language. Contents 1 Performances 1.

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