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Bienvenu 22f. Travel is multi-faceted, and yet, in the sense of changing the place, it seems to be one of the most basic actions. In many novels, incorporating travel provides the author with the valuable chance to confront the main character with very disparate figures, environments and cultures.
In this case, traveling is an action that motivates action, it is auxiliary. It motivates action by making randomness legitimate — for traveling means to subordinate oneself to unknown future events. Also other literary genres besides the travelogue, such the German Entwicklungsroman, can hardly be explained without reference to this aspect of traveling.
Literary journeys often parallel outer and inner movement of the character. What are the functions of the journey? That is the question I want to discuss in this paper. Since answering it is impossible without studying how the journey takes place, a phenomenal analysis what happens and how does it happen?
Always keeping in mind how heterogeneous the genre of travel fiction with its many various forms is, it can be stated that, taken out the narrator, also the narrative strategies are quite the same. Korte Lilian Aldwinkle waits patiently for the one supremely important yet shapeless event to happen, and like Francis Chelifer, she hopes for a revelation. In the end, everybody will fail. By picturing their travel to Rome, which hardly resembles a pilgrimage, he illustrates the futility of their endeavors.
How he does so is to be discussed in the following. Whenever he succeeded in the past, it was in his car. Terebinth and his uncouth approaches to Irene Aldwinkle.
Not only Hovenden enjoys speed. On the other hand, the experience of speed is able to transform her into a most fearful individual. At the far sight of two cars racing towards each other, she panics. Falx , has a less ambivalent attitude towards velocity. The faster they went, the more piercing became her cries and greeting and farewell, the more wildly she waved her handkerchief at the passing dogs and children. It is striking that during the fast drive, unlike in the rest of the novel, art and history are marginalized.
This can even be shown on the syntactical level. So far, the analysis has shown that the author of Those Barren Leaves is a very attentive observer of modern travel. That he stylizes the automobile to a means of breaking the linearity of time and the dimensional system of space, however, shows him as someone who, amazingly, perceives almost metaphysical relevance in a machine made out of bolts and steel. Time and space, matter and mind, subject, object — how inextricably they got mixed, next day, on the road to Rome!
The simple-minded traveller who imagines himself to be driving quietly through Umbria and Latium finds himself at the same time dizzily switchbacking up and down the periods of history, rolling on top gear through systems of political economy, scaling heights of philosophy and religion, whizzing from aesthetic to aesthetic. Dimensions are bewilderingly multiplied, and the machine which seems to be rolling so smoothly over the roads is travelling, in reality, as fast as forty horses and the human minds on board can take it, down a score of other roads, simultaneously, in all directions.
Excerpts from and references to secondary works will be substantiated in an extended form, e. Korte 23ff. Add to cart. List of Contents 1 Introduction 2 Phenomenal Analysis 2. Sign in to write a comment. Read the ebook. Germanistik - Neuere Deutsche Literatur Gesellschaftskritik in der utopischen Anglistik - Literatur "Brave new world" von Aldou Publish now - it's free.
Those Barren Leaves (Coleman Dowell Literature Series)
The little town of Vezza stands at the confluence of two torrents that come down in two deep valleys from the Apuan mountains. Turbulently--for they still remember their mountain source--the united streams run through the town; silence in Vezza is the continuous sound of running waters. Then, gradually, the little river changes its character; the valley broadens out, soon the hills are left behind and the waters, grown placid as a Dutch canal, glide slowly through the meadows of the coastal plain and mingle with the tideless Mediterranean. Dominating Vezza itself, a bold promontory of hill juts out like a wedge between the two valleys. Near the top of the hill and set in the midst of ilex trees and tall cypresses that rise up blackly out of the misty olives, stands a huge house. And the whole is dominated by a tall slender tower that blossoms out at the top, after the manner of Italian towers, into overhanging machicolations.
Chapter V. Those Barren Leaves (1925)
Those Barren Leaves is a satirical novel by Aldous Huxley , published in The title is derived from the poem "The Tables Turned" by William Wordsworth which ends with the words:. Stripping the pretensions of those who claim a spot among the cultural elite, it is the story of Mrs. Aldwinkle and her entourage, who are gathered in an Italian palace to relive the glories of the Renaissance.
Those Barren Leaves
Bienvenu 22f. Travel is multi-faceted, and yet, in the sense of changing the place, it seems to be one of the most basic actions. In many novels, incorporating travel provides the author with the valuable chance to confront the main character with very disparate figures, environments and cultures. In this case, traveling is an action that motivates action, it is auxiliary. It motivates action by making randomness legitimate — for traveling means to subordinate oneself to unknown future events.
About Aldous Huxley’s "Those Barren Leaves"
Bowering, Peter. London: Bloomsbury Academic, Bloomsbury Collections. Copyright Peter Bowering All rights reserved. Further reproduction or distribution is prohibited without prior permission in writing from the publishers.